And I have come upon this place
By lost ways, by a nod, by words
It's a roundabout route I take seeking wisdom, that's for goddamn sure. I found this video by random curious clicky, and I love Dirty Jobs but I had no idea Mike Rowe did public speaking as well.
It's an awesome speech but not for the squeamish; he opens with a story about castrating a lamb with his teeth. What comes after the testicles is pretty great, though -- classical concepts of knowledge and tragedy, the potential myth of passion, and the idea of seeing what's happening and going the opposite way and finding joy in it. It's long, but I hope you like it.
I mean, I love the idea of following passion, and Alex Haley's The Shadowland Of Dreams is enshrined in my soul, but I like what Rowe says too. It seems to be the epitome of what I'm trying to do with Nameless and eventually with Dead Isle and Valet of Anize, which is to eschew the idea of story as commodity and instead work with story as community. I have every respect and more than a little awe for someone who can write a story and get it published, because I can't, but for me because I can't, I've found a new and different niche for myself as a writer.
It reminds me of what someone said -- I don't recall who, if it was you step up and take credit -- that when I write science fiction it won't be about the gears and guns, but about human and alien and technology and the dark places inbetween. I hope that's true. I'm trying, anyway.
It also reminds me that I'm vastly behind on Valet of Anize, so I'm off to put in my eight hundred words.
It's been a weird fucking day, guys.
By words, by voices, a lost way - ,
And here above the chimney stack
The unknown constellations sway -
And by what way shall I go back?
By lost ways, by a nod, by words
It's a roundabout route I take seeking wisdom, that's for goddamn sure. I found this video by random curious clicky, and I love Dirty Jobs but I had no idea Mike Rowe did public speaking as well.
It's an awesome speech but not for the squeamish; he opens with a story about castrating a lamb with his teeth. What comes after the testicles is pretty great, though -- classical concepts of knowledge and tragedy, the potential myth of passion, and the idea of seeing what's happening and going the opposite way and finding joy in it. It's long, but I hope you like it.
I mean, I love the idea of following passion, and Alex Haley's The Shadowland Of Dreams is enshrined in my soul, but I like what Rowe says too. It seems to be the epitome of what I'm trying to do with Nameless and eventually with Dead Isle and Valet of Anize, which is to eschew the idea of story as commodity and instead work with story as community. I have every respect and more than a little awe for someone who can write a story and get it published, because I can't, but for me because I can't, I've found a new and different niche for myself as a writer.
It reminds me of what someone said -- I don't recall who, if it was you step up and take credit -- that when I write science fiction it won't be about the gears and guns, but about human and alien and technology and the dark places inbetween. I hope that's true. I'm trying, anyway.
It also reminds me that I'm vastly behind on Valet of Anize, so I'm off to put in my eight hundred words.
It's been a weird fucking day, guys.
By words, by voices, a lost way - ,
And here above the chimney stack
The unknown constellations sway -
And by what way shall I go back?